Bord Ded, Bin Gud.

Back in the early-2000s glory days of Upstate Wasted and Upstate Ether, the cast of characters would occasionally get so out of hand that The Overlords would have to declare a meltdown, wipe the whole board, and remove the ability for new posts to be added for some undefined cooling-off period. (Note: strong language and content warnings for all four of the links in this paragraph).

When meltdowns happened, a trio of little skeletons known collectively as the Bloorp-Bloorp Uh-Ohs (yeah, yeah, I know, you had to be there) would often appear to let the readers know that the board had melted down, though it had sure been fun up until that point. Ultimately, this sentiment got truncated down to the simpler “Bord Ded, Bin Gud.”

Bord ded. Bin gud.

Bord ded. Bin gud.

25 months after I launched this collaborative blog in a fit of pique, I’ve decided that it’s time for me to say “Bord Ded, Bin Gud” to Indie Albany. After a year in Iowa, I’m finding that I don’t have the time to serve as motive force and moderator for both Indie Albany and its Des Moines-based heir, Indie Moines, and I don’t like seeing the writers remaining here functioning in an unsupported capacity.

The group model worked best when we were all riffing off of each other with a high volume of posts, and that has dissipated significantly since my attention has been focused elsewhere. That’s my fault, not the fault of the writers. I didn’t envision a move to Iowa at the time when I launched the site, and once I got out here, I stopped enforcing the original guiding parameters about frequency of publication that kept the place hopping through its first 18 months or so. Again, my fault, and I own it.

That being said, I think we wrote some amazing stuff here over the past two years, and I think we proved the concepts that I wanted to prove: namely, that you don’t have to whore your writing out to advertisers that you despise in order to have a place to write online for a wide audience, and you don’t have to give up rights to your intellectual property just because you put it on a public website. I continue to hoe that row on Indie Moines, and that site is growing even faster than Indie Albany did. For now, it’s just me writing there, though I may go to a multi-contributor platform there, too, at some point. We’ll see how it pans out.

I want to thank all of the writers, readers, and folks who cross-promoted this site so well for us (without asking us to pay you) over the past two years, with particular thanks to Nippertown for getting on board early and staying with us to the end. Hell, even the Deputy Assistant Editorial Subminion for Bitterness at Metroland did us a favor for deeming us worth of his scorn when he dismissed us for “bloviating in commercial-free quiet” last year. Have you gotten paid for that piece yet, Sparky? Didn’t think so.

Thanks again to everybody who was involved here. I’m pleased that my initial fit of pique produced a model where good writing gets read by interested readers with no commercial interests being served. I look forward to continuing to offer you that model, if you want it, at Indie Moines.

Until this domain expires (or someone in Albany buys in from me), I’m going to keep a few Albany-specific things (e.g. the last Hidden in Suburbia series) here, as well as forwarding links to some of the older, more popular posts that appeared here over the past couple of years. And as long as the Times Union keeps the work I did on their blog in the public domain, despite my requests that it be removed, I will also leave the story of how and why I started this blog in the public domain as well.

More Things I Will Miss When I Leave Albany

I am down to my last six nights as a Capital Region resident, so as I enter the final phases of packing and moving, I wanted to note some other things that I will miss when I leave Albany (even as I try to forget the things that I will not miss). Here are a few of those great things that will cause sweet sorrow when we part:

1. Airplanes: Oh, yeah, of course they have airplanes in Iowa, but I’m not going to get to see them the way I do now. We live a few miles in a straight line from the end of Albany International Airport’s east-west runway, so when the wind is blowing out of the west (as it often does hereabouts), incoming flights come pretty much directly over our house, with wheels down and flaps extended. As a person who likes to look up in the sky a lot, this adds a great degree of interest to the act of sitting out in the hot tub (which I also do a lot), since we get to see all sorts of traffic arriving, from small private planes through commercial Canadair Regional Jets, Boeing 737′s and Airbus A-319′s to behemoths like National Guard C-130‘s and the occasional KC-10. I’ve become something of a connoisseur of aircraft hereabouts as a result, and can often identify planes by their sound before I can actually see them. I doubt that I will ever become as well-versed in the aviation fauna operating over Des Moines.

2. Stewarts Shops: In the suburban neighborhood where we live, it’s hard to get anywhere without getting in a car (something we’ll be changing in Des Moines, as our new house is smack in the middle of the city), so we appreciate the few relatively close businesses that allow for the quick pickup of goods and sundries. The nearest store to our house is a Stewarts, so in all likelihood I’ve made as many visits to that particular business location as I have to any other in the Capital Region. And as regional convenience stores go, Stewarts is really quite a gem. Their locally-themed and produced products (Crumbs Along the Mohawk or Kaydeross Kreme anyone?) give them far more character than the national chains (e.g. Cumberland Farms) located hereabouts, and their stores tend to truly integrate in their home neighborhoods in ways that most multi-venue businesses don’t. When I was working in Great Barrington,  I used to pick up the co-pilot near the Defreestville Park and Ride, and I loved the fact that the Stewarts adjacent to it served as a de facto town community center, as its booths would be filled, every morning, with a great assortment of garrulous retirees sharing their morning coffee and donuts, and providing running commentary on everyone and everything that struck their fancy. As a nonprofit fundraising type, I also appreciate the Dake family’s commitment to philanthropy in the community, as well as their approach to grants and gifts: they tend to make a lot of smaller gifts to organizations and activities that fly below the radar screen of many grant-makers around here, many of them youth oriented, rather than offering a few massive gifts that serve fewer people, but offer greater recognition. I must admit, too, that I will miss Stewarts because its analog in Iowa is quite unfortunately named. I’m going to have a hard time ordering anything with sprinkles there . . .

3. Albany Songwriters: Again, while I’ll certainly be able to listen to the music of some of Albany’s finest songwriters while I am in Iowa, I’ll miss the opportunity to see them live, and am grateful to have made their acquaintances over the years. While the Albany market has always been unfortunately focused on judging musical success through the lens of whether or not you make it out of Albany, no matter what it takes to do so, some of our greatest creative treasures have produced their finest works locally, and continue to offer them locally, to the great benefit of those of us who actually support local artists before people outside the market tell us to do so. Three songwriters in particular stand out for me after 18 years in and around Albany: Stephen Gaylord, Gaven Richard and Jed Davis.

  • Stephen Gaylord writes deeply-emotional songs about often-flawed individuals, and his work is frequently rooted in the rural culture of his native Kinderhook and its environs. He has offered these riveting compositions onstage hereabouts for the better part of two decades with Beef, The Wasted, and as a solo artist (under the pseudonym Gay Tastee), and I don’t think I’ve ever heard anyone write or sing music that hurts as good as his does. Marcia and I both count his heart-wrenching “Beautiful Brand New” among our favorite songs, ever, and Beef’s “Spavid Story” provides the greatest description of the creative urge to rock that I’ve ever heard, including the classic couplet: “We never listened to the reasons why it didn’t sound right / We was f*ckin’ around on a Friday night.” If I had to pick a single album to stand as the soundtrack to my 18 years in Upstate New York, there is no doubt that it would be The Wasted’s We Are Already in Hell, a loosely-conceptual masterpiece of insightful lyrics and brilliant riffs, featuring a killer performance by the band (Gaylord, Kelly Murphy, Dave Reynolds) from soup to nuts. I will never hear this record without being transported back to a place where “there’s a certain shade of red the weeds down by the creeks will get between the Catskills and the Berkshire hills / and if you’re from down here you shouldn’t need to ask if it’s a theme park or a labor camp.”
  • Gaven Richard is another born-and-bred Capital Region denizen who probably achieved his greatest local exposure as the drummer-singer-songwriter for Kamikaze Hearts, though his back catalog includes a stint with the Birthday Party-esque Annabel Lee, occasional work with Stephen Gaylord and the loop-based solo project Salon Style, among others. Richard is a great story-teller, and the true testament to the power of his songs is how well they work in whatever setting he chooses to present them. I would count “Pink Huffy/Pink Murray,” “High Dive” and “No One Called You A Failure” among his greatest works, but the sonic differences between the three of them are striking. The first of those songs is swirling, organ-driven carnival dirge about an adult who has to ride his daughter’s bicycle around town after a DWI conviction (“now she’s got her license, she don’t need it no more”), the second tells the tale of a terrible poolside accident over a booming drum-and-guitar riff (“there’s an ambulance parked right on the deck / back flip to a broken neck”), and the third is one of the most profound observations about the blessings and complications of familial love I’ve ever heard, delivered over the Kamikaze Hearts’ trademark acoustic porch-rock. Marcia and I first heard this subtle and poignant tale of a young man’s tentative first steps away from home right as our own daughter was leaving the nest for the first time, and it can still bring tears to my eyes for its spot-on depiction of the emotions related to those difficult days.
  • Long Island-native Jed Davis first came to town as a student at UAlbany in the early ’90s, and he wowed me then, and then wowed me during a subsequent decade spent in Manhattan and Brooklyn, and has continued to wow me since he returned to Albany a year and half ago, through his solo releases and performances, as well as his work with a variety of bands, including Skyscape, The Hanslick Rebellion (who I consider to be the greatest live band Albany ever produced), Jeebus, The Congregation of Vapors, Sevendys and Collider. Davis is the highest-profile performer among the three songwriters I’ve listed here, and the list of folks that he’s worked with over the years reads like a veritable Who’s Who in Excellent Music. Just off the top of my head, I can call up memorable songs that Jed has written and recorded with Chuck Rainey, Ralph Carney, Steve Albini, Tony Maimone, Jerry Marotta, Reeves Gabrels, Avi Buffalo, The Ramones, Anton Fig and Tony Levin, and if I had my iPod with me right now, I’d no doubt be able to call up an even longer list of the folks who have deemed his work worthy of their able ministrations. Jed is another masterful storyteller who is capable of working within a dizzying array of musical genres, and he always does a tremendous job of writing and arranging songs that allow the music to optimally complement the words he’s singing. Unlike any other songwriter I know, though, he’s also a brilliant graphic designer and layout artist, and his attention to the presentation of his work is sublime to boot. Case in point: the delightful Dixieland swing of his paean to his former Brooklyn neighborhood, “Yuppie Exodus From Dumbo,” was actually released as a period-appropriate wax cylinder! His catalog is so rich, and so vital, and so varied that I feel like I’d do it an injustice to single out a track or two, so while encouraging you to explore his numerous releases over the years, I would highlight Collider’s “Mock Cheer,” Sevendys’ “Please Don’t Eat Me I Love You” and The Hanslick Rebellion’s “Big Hot Monday” as personal favorites.

4. The University at Albany: I’ve spent three years on this campus as an employee, and two years as a student, and on some plane, my time at UAlbany stands as one of the most meaningful community experiences that I’ve had during my 18 years in the region. UAlbany is truly a wonderful resource for the Capital Region, and when we did the mental, financial and emotional arithmetic associated with moving to a new city, it was leaving this campus that weighed the heaviest on me. I have tremendous admiration for my colleagues, both administration and faculty here, and have been awed by the depth and richness of my interactions with our students over the years. It’s always easy to throw rocks at large public universities, and to accentuate the negative rather than celebrating the positive (a veritable varsity sport hereabouts, it seems), but I will remain forever grateful to the faculty who challenged me as a “nontraditional student” (a.k.a. the old guy in the class) during my masters’ degree program, as well as to the employees and students who have supported me in my work here. I am proud to be a UAlbany Alumnus, and proud of the work I have done on behalf of the University over the past three years. I will miss the UAlbany community more than anything else here when I leave, and will count myself fortunate if I am able to continue working in higher education at an institution of this caliber, with students and colleagues as good as those who support and sustain me now.

Things I Will Miss When I Leave Albany, Part One: Restaurants

We’re a day into Marcia’s final week in Albany, so most of the things we’ve done together recently, or will do over the next six days, are going to represent farewells or final passages for us. Some will be big ones, like today, when Marcia leaves her office of 13 years for the last time. But some will be just be quirky little moments of noticing and commenting and recording things that are given resonance primarily through the act of speaking aloud (or writing) about them.

Like last night, when we rode across the commuter-hated Thaddeus Kosciusko Bridge together for the last time on our way back from Saratoga Springs, and we actually noted and appreciated (aloud) the graceful curves and symmetry of the matching twins as they emerged through the evening fog above the damp valley beneath them. In actually speaking about our last crossing there as we reached the southern shore of the Mohawk River, it became a different sort of passage, memorable in the noticing, a strong residual image now freshly imprinted on my Albany mental movie reel. (Insert camera shutter sound here).

A couple of weeks ago, I wrote about the things that I won’t miss when I leave Albany , but as Marcia and I plan our last week together here, I now figure it’s time to start talking about the things that I will miss, starting with restaurants. Good meals are always a staple and anchor of our time together, and I’m guessing we’ve probably eaten out at least 2,000 times during our 18 years in Albany. So picking the locations for our last couple of meals here together was very much an exercise in figuring out what we’ll miss the most. We’re opting for one night at River Street Cafe in Troy (which, remarkably in this day and age, still does not have a website), and one night at Milano in Latham.

River Street Cafe can occasionally be funky and quirky in terms of service and dining room volume, but when it’s on at its best, it’s magnificent. We’ve worked up a list of the five greatest meals we’ve ever eaten together (a future blog post, presumably), and one of them was there at River Street: it was an autumn Saturday night after we’d both worked out hard during the day, we went later in the evening and had the dining room virtually to ourselves, and we were both ravenous, so the whole dining experience was just exquisite. I consider their Cod with Sesame Scallion Brown Butter sauce, served with a side of horseradish mashed potatoes, to be the consistently best tasting meal I’ve eaten in the Capital Region.

Milano earns a nod in our final week together in Albany because it has been a cornerstone staple for us for the entire 18 years we’ve been here, and there is no other restaurant in the Capital Region where we have consistently (at least once a month, often more) eaten since we moved here from Idaho in 1993. It’s 10 minutes from our house, the menu has evolved over the years so that we get to mix new dishes in with consistent favorites, the daily specials are almost always exciting, and we’ve gotten to know and like many of the staff members there, so it’s always nice to arrive unannounced and feel appreciated, and then be seated at a favorite table.

We’ve already eaten out several times in Des Moines, and the quality of the experience there was very encouraging and exciting to us both, but I’m not sure that these two restaurants will be replaceable for me, so I look forward to experiencing them again this week, and toasting them for all the pleasures they’ve provided us over the years.

Ten Things I Will Not Miss When I Leave Albany

This post has moved to our new blog at Indie Moines. Click here to be taken there.

 

Hidden in Suburbia 2011: Epilog

Okay, I lied.

I wasn’t planning to do any more Hidden in Suburbia pieces during my final seven weeks in Latham, but as I was out riding for exercise last week, I noticed a new construction cut into some of my favorite woods, and that made me want to grab the camera and see what was going on, in an area that I had considered safe from suburban encroachment. I was, apparently, wrong in that assessment. As always, hit the picture below to read the annotated story in all of its wistfulness, or if my words tire you out prematurely, just click here for the wordless slideshow.

Hidden in Suburbia 2011 (Part Nine): Farewell, Latham

The past month has been a whirlwind as we go through all of the steps necessary to sell our house, and begin constructing a new life in Des Moines, including buying a new house there. As I work to mobilize contractors, get the house ready for showings, review property specifications in Iowa, and help hire my replacement, I’m finding myself with less time than I’d like for summer fitness, including riding my bike into the woods and wastelands of Latham and sharing my findings with our readers here. I’ve done a couple of short rides in the past few weeks, but as my psychic focus shifts from Latham to Des Moines, I figure it’s probably time to put the camera away and declare my work as documentarian of Latham’s dark spots to be over.

So this will be my final Hidden in Suburbia report hereabouts, though I suspect that Hidden in Des Moines may also be a going series once I get out there. As always, you can click the photo below to get the annotated version of the photos, or you can click here to get the wordless slide show version. This one features vast late summer meadows, graveyards, abandoned greenhouses, and the place where old pipes go to die. Here’s hoping these and all the earlier photos inspire someone else to keep looking in the spaces between the places . . .

Part One of This Series is Available Here

Part Two of This Series is Available Here

Part Three of This Series is Available Here

Part Four of This Series is Available Here

Part Five of This Series is Available Here

Part Six of This Series is Available Here

Part Seven of This Series is Available Here

Part Eight of This Series is Available Here

Hidden in Suburbia 2011 (Part Eight): Secret Meadow

The largest undeveloped parcel of land within my Hidden in Suburbia range has long eluded me, as its perimeters are rendered formidable for three reasons:

  1. A good portion of its boundaries are defined by bogs and swamps that are beyond Trusty Steed’s capabilities.
  2. Most of the non-aquatic segments of its boundaries are blocked from easy road access by houses, fences, and backyards, through which I generally don’t pass.
  3. The owners have done a particularly fine job of properly signing its boundaries with “Posted” and “No Trespassing” signs, which I don’t cross, so long as they’re clearly presented and obvious.

I’ve done a lot of research trying to figure out how to get into the heart of what I’ve come to call The Secret Meadow, and have generally been foiled, time and time again. Until this week, when a low-expectation push from the east revealed an incredible network of large trails that are completely invisible to Google Maps and Google Earth due to rich, full, over-hanging foliage. While the aforementioned signage issue stymied me in the end, I actually got deeper into The Secret Meadow than I’d ever been before, and I was awed by what a beautiful piece of property it is, right smack in the middle of deepest, darkest suburbia, where you’d never expect to find it.

For your own peak into The Secret Meadow, click the photo below for the narrated version of this installment, or click here to see the wordless slideshow.

Part One of This Series is Available Here

Part Two of This Series is Available Here

Part Three of This Series is Available Here

Part Four of This Series is Available Here

Part Five of This Series is Available Here

Part Six of This Series is Available Here

Part Seven of This Series is Available Here

Hidden in Suburbia 2011 (Part Seven): Racetracks

In the early years of my adolescence, dirt-biking was a big part of my life and lifestyle.

My friends and I would strip perfectly good road-bikes down to remove any civilizing or sissifying elements (you know, things like safety reflectors, baskets, mud-guards, or brakes) and then take them back into the woods to jump ridiculously unsafe ramps and race around well-worn around dirt loops that had served generations of kids before us, and then likely served countless other kids after we aged out of that particular demographic. (Well, most of us anyway . . . I never really stopped bombing around in the woods on bikes, but that’s a whole ‘nother therapy session, for some other time . . . )

In my 12,500-acre Hidden in Suburbia range, I have found three fantastic deep-woods racetracks over the past decade that clearly have just as much draw for today’s kids as our racetracks had for us all those years ago. Unfortunately, one of those great courses disappeared two summers ago under a new housing development, and I had noticed another new development going up in a different area that looked like it could have obliterated a second one. (I shot the third one as part of an earlier Hidden in Suburbia report this summer, here).

Tonight, I went to check up on that second racetrack, to see if it, too, had succumbed to (so-called) progress. I am pleased to report that the course endures, though it’s even more hidden now than it used to be. While it looks like kids might not be riding there as often as they used to accordingly, there’s still plenty of evidence of those other great woods pastimes: dumping and burning stuff.

If you’d like to see it with explanatory captions, you can click on the photo below. If you’d like to just see the photos without words, click here for the slideshow.

Part One of This Series is Available Here

Part Two of This Series is Available Here

Part Three of This Series is Available Here

Part Four of This Series is Available Here

Part Five of This Series is Available Here

Part Six of This Series is Available Here

Hidden in Suburbia 2011 (Part Six): The Mill

I wrote the following poem, which is titled “The Mill,” on May 4, 2004:

The old mill burned down last night.
You could see the flames from far across town.
It was really quite an awesome sight.
The firemen were helpless, just standing ’round,
while that eyesore burned down.

Built in eighteen ninety four,
they made shirt collars and fancy pressed cuffs there.
It had survived countless floods and storms,
but last night it disappeared into the air,
with not a timber spared.

The mill had been closed for years.
Fashions changed, starched collars became obsolete,
one by one all the jobs disappeared.
By the late ’40s, the shutdown was complete,
and they blocked off Mill Street.

But folks wouldn’t stay away.
It became a place where hoboes crashed and drank,
sometimes dying there, old, spent and gray,
in death, as in life, lying there, foul and rank.
The old mill really stank.

Then, later, the railroad closed.
The boxcars no longer rumbled through with freight,
stranding all of the local hoboes,
who were rounded up and bussed out of state,
without public debate.

Teenagers found the mill next,
swarming toward it like waves of horny bugs.
Teachers and parents alike were vexed
as we went down there to make-out or buy drugs
from unsavory thugs.

Yes, I went down there a lot.
I was there yesterday, as it comes to pass.
Terre had scored some really fine pot.
We held hands and giggled as we smoked her grass,
then doused the mill with gas.

This was a completely fictional character study (of both a building and a boy), but it has gained a new resonance for me, based on this week’s Hidden in Suburbia adventures.

A few nights ago, I set out on Trusty Steed, planning to explore and photograph an area around an active cement plant and its quarry. Unfortunately, before I could even get the camera out, I was spotted by some of the plant’s employees, so I quickly pedaled on, looking for a new adventure, away from prying, police-calling eyes. I decided to ride up to a new housing development that sits mostly atop what used to be one of the better backwoods biking plots in my area, trying to see if I could locate any of the old trail heads behind the development.

With a little bit of poking around, I found a solid trail that dropped steeply down the slope, through the woods, toward the industrial areas I’d photographed a couple of weeks ago in Part Four of this series. It was a good riding trail and I was able to work up a decent amount of speed as I rumbled down the hill. As the slope began to level off, there was a sharp turn to the left, which I successfully navigated . . . only to find myself pretty much smack in the middle of what appeared to be a large, active, multi-person camp in the woods.

The one thing I don’t ever, ever, ever like to find in my suburban woods explorations is other people, since odds are that any other humans (especially adult humans) that I encounter in the woods are not likely to be taking photographs, nor are they likely to want to have their photographs taken. So without missing a stroke, I pedaled through the camp, put some distance between me and whoever was in the vast network of tarp tents in the clearing, and powered down the hill to the point where the trail disgorged into a particularly swampy stretch of abandoned dirt road that I’d ridden and photographed last month.

The reeds in the abandoned road had grown taller than me since I was last there, so there was no way I was riding through them. I shouldered the bike and started pushing my way forward through them, knowing I had maybe 200 yards to advance before the muck and reeds gave way to a paved road in front of an old mill building.

I couldn’t really see much in front of me due to the tall reeds, but I did hear noises from up near the mill, and as I got closer to the pavement, I could see some trucks and other vehicles in the road. Now, normally, I would have turned and gone another direction, but given the choice of surprising whoever was living in the tarps in the woods, or surprising whoever was in the trucks in front of the mill, I decided that the latter group was the safer bet.

When I cleared the reeds, I put my bike down and walked it toward the trucks. When I passed the first truck and had a clear view of the area, two things surprised me: (1) most of the vehicles were Town police and fire vehicles, with policemen and firemen in them, and (2) the mill was gone, with a pile of burnt rubble on a slab where it used to stand.

Oh boy . . . here I was walking a bike, coming out of the woods (likely private property), strolling right into a crime scene (had I come at it from the road over the railroad tracks where people were supposed to be, I’d have seen the yellow tape barrier), looking, no doubt, like a perpetrator returning to admire the scene of his crime, especially since I had photos of this very mill, before the fire, saved on the camera in my backpack!

I decided that confident obliviousness would be the best approach to defusing the situation, so I approached the nearest fireman and asked what had happened, made appropriate clucking and “oh, that’s a shame” noises, then slowly, casually, saddled up and went on my way, as though nothing was wrong. I then rode back home via an odd route involving lots of turns, looking over my shoulder at each intersection to see if the police were following me. Twice, when I looked back, I actually saw patrol cars . . .

So I must admit that I experienced a deep sense of personal relief after a quick Google search revealed that three teenagers had already been arrested for burning the mill to the ground. They used a bottle of gasoline with a rag wick in it. Two responding firefighters were injured as a result of their actions.

Once my sense of relief passed, it was replaced with a feeling of sadness, both for the building, and for the boys who burned it. I suspect they acted with the same degree of unthinking nonchalance and lack of concern for consequences that the protagonist of my poem did. There was probably a girl to impress in the story, somehow. That’s a pretty endemic mental state for adolescent boys, and it’s never a good thing when you inject fire into that hormone-addled mindset.

I wish these boys had shared my adult respect for these old buildings as objects to admire from outside, rather than as things to actively enter, violate, and destroy. Nature will do that eventually, so there’s no need for us to hurry that natural process along. This senseless act of destructive acceleration is going to have life-altering consequences for the perpetrators, though hopefully they’ll learn the lessons they need to learn, be given the chance to make some serious acts of restitution, and be able to move on with their lives.

Likewise, here’s hoping that the injured firefighters recover quickly and fully. Bless them for their work.

Last night, I went back to the mill, this time approaching it via public roadways. The firetrucks were gone, and an amazing amount of progress had been made in clearing away the debris. I got close enough to snap a few photos, then turned to head back out via the only paved access point. As I saddled my bike, though, I felt a heavy rumbling in the ground, and looked up to see a fast-moving freight train approaching me from the south.

When the train reached the at-grade crossing, I was essentially trapped on that short strip of pavement in front of the fallen mill, with the tent-dwelling woods people and a quarter-mile of muck blocking the only other escape route. It was kind of a creepy feeling, since it represented the sort of improbable combination of unrelated factors that script-writers use to build suspense in horror movies. I was glad to wave goodbye to the train and head back up the hill to home once it had passed.

You can see the before and after photos of the mill by clicking on the photo below, which will take you to the annotated version of this week’s Hidden in Suburbia installment. (It’s a short one, since I didn’t care to snap the compound in the woods). Or, as always, you can just view the slideshow by clicking here.

Trapped by a train . . . with CHUDS in the woods . . .

Part One of This Series is Available Here

Part Two of This Series is Available Here

Part Three of This Series is Available Here

Part Four of This Series is Available Here

Part Five of This Series is Available Here

Hidden in Suburbia 2011 (Part Five): Locks

Part One of This Series is Available Here

Part Two of This Series is Available Here

Part Three of This Series is Available Here

Part Four of This Series is Available Here

In Part Four of this year’s Hidden in Suburbia report (linked above), I visited some crumbling industrial facilities of the late 19th and early 20th centuries. For this week’s Part Five installment, I go further back in time to visit some of the many, many crumbling locks and dams of the old Erie and Champlain Canal systems, which run throughout my little patch of suburbia.

When I was working at Rensselaer Polytechnic Institute (RPI), I used to take students across the river to look at some of these locks. The canals serviced by the locks were considered to be among the greatest industrial achievements of their day, playing a key role in the opening of the American West to exploration, settlement, and commerce. Now they are dry, overgrown, and crumbling, with homes, businesses and woods pressing up against them on all sides, leaving them as slowly healing scars that cut incongruously across the suburban landscape.

Sure, it’s great to dream of changing the world, but it’s also important to have a sense of where the next great “killer app” stands in the grand, long-term scheme of things. In the end, nature always wins . . .

As always, click on the photo below to read the annotated report, or click here for the wordless slide show.

Our region's greatest natural wonder. Keep out.

Hidden in Suburbia 2011 (Part Four): Industry

Part One of This Series is Available Here

Part Two of This Series is Available Here

Part Three of This Series is Available Here

Note: This post and photo slideshow come with a soundtrack today. Click here, with your speakers turned up, to have the mood properly set by the wonderful King Crimson, and their evocative “Industry.”

One of the most impressive things, for me, about riding and hiking into woods around my home is the ability to stand in, on, or near some truly historic industrial artifacts.

The most obvious of these (well, relatively speaking, anyway) are probably the abandoned locks of the Erie and Champlain canals that stand, completely landlocked, throughout Cohoes and Watervliet. When I worked at RPI, I used to take students to look at these crumbling relics, while pointing out to them that these locks and the tiny canals connecting them were once considered to be the most significant industrial accomplishments on the North American continent.

Bodies to ashes to dirt to dust. Cities to ruins to iron to rust. I think it’s good for a prospective engineer to have a sense of humility, and if that won’t do it, nothing will.

Less famously, the lowlands on the west bank of the Hudson River between Albany and Troy (once West Troy, now mostly Watervliet and Menands, with a little sliver of Colonie between them) were home to formidable steel mills and armories. The Watervliet Arsenal and Albany Steel survive as local manufacturing centers to this day, while many other large neighboring businesses (including the Ludlum Steel Company, once headed by Edwin Corning, father of legendary Albany mayor, Erastus Corning 2nd) eventually closed their doors and began the long, slow process of returning their constituent elements to the ground beneath them.

Today’s Hidden in Suburbia post centers on this crumbling post-industrial wasteland. These spaces are so alien to our suburban sensibilities, and yet they are so very close to us, if we’re willing to look into the darker spaces behind our developments and shopping centers. It’s humbling and awe-inspiring to visit them. As always, click on the photo below for the photo essay with accompanying narrative support, or click here for the wordless slide-show version. I’d recommend starting the slide show at about the 2:00 minute mark of the King Crimson song for maximum evocative effect.

Nature abhors a vacuum, but I love a vacancy . . .

Hidden in Suburbia 2011 (Part Three): Rains, Trains and Snowmobiles

Part One of This Series is Available Here

Part Two of This Series is Available Here

I managed to swing a couple of trips into the woods on the bike this weekend, after my first accident-infested foray last week, though monsoon season has left many of my normal haunts squishy and stinky messes at this point. Still, I slogged through the mire to visit one of the cooler spots within the two-and-a-half mile radius surrounding my house: the place where trains go to die in the woods. I also sought out, and found, an old friend (well, if you can consider the carcass of a snowmobile to be a friend, anyway), and I checked up on Indie Albany headquarters to see if it’s still sinking into the flotsam that washes up around it. (Answer: yes, it is). Finally, I went to get an updated photo of Miss Indie Albany (our mascot, at right), and received quite a surprise when I returned to her road-side home. Oh, the drama!

As always, click on the photo below to see this week’s photos with narrative text, or click here to just get the slideshow. Trains in the Woods kick ass, just for the record.

The height of railroad luxury . . . IN MY WOODS!!!

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